A: attack
B: attack攻击
C: critics
D: critics批评
E: mock
F: mock嘲笑
G: opposition
H: opposition反对
举一反三
- Service industries, such as telecommunications and public transportation, often become the target of ridicule. A: attack B: critics C: mock D: opposition
- PR is used as a weapon, and so is often criticised for its lack of<br/>______. A: aims B: consistency C: customers D: distortion E: impressions F: invisibility G: objectivity H: opposition I: rejection J: shallowness K: staff
- Critics criticize advertisers because they often brag.
- It is also sometimes condemned for _____ when carrying out 'public<br/>relations exercises'. A: aims B: consistency C: customers D: distortion E: impressions F: invisibility G: objectivity H: opposition I: rejection J: shallowness K: staff
- Which of the following is true about the critics A: Critics are greater in number than people enjoying the new way of life. B: Student critics are greater in number than critics in other fields. C: Student critics have, on occasion, resorted to violent means against the trend. D: Critics are concerned solely with the present and not the futur
内容
- 0
Which of the following is not a password attack method? ( ) A: Dictionary attack B: Brute force C: Replay attack D: Port scan
- 1
We will not attack unless we _______ (attack); if we ______(attack)we will certainly counterattack.
- 2
[color=#434343]He had always been ______ and prudent and remained so after he had become famous.[/color] A: modern B: modify C: modest D: mock
- 3
What does the ash valley symbolize in the novel? A: The opposition between the rich and the poor B: The opposition between the old money and the new money C: The degeneration of society and humanity D: The opposition between tradition and modernity
- 4
How<br/>do people see public relations?<br/>People's<br/>_______ of an organisation are based on what they are exposed to in<br/>the media, and any contact they may have had with it. A: aims B: consistency C: customers D: distortion E: impressions F: invisibility G: objectivity H: opposition I: rejection J: shallowness K: staff