__________________ the chair sat mouldering in the attic.

John found a lamb that his aunt had used in the attic.

A Van Gogh’s Trip from the Attic to the Museum

Attic<br/>is to roof as basement is to () A: first story B: ceiling C: top story D: loft E: garret

Which room cannot have a PV dc disconnect? A: Kitchen厨房 B: Attic阁楼 C: Bathroom浴室 D: Bedroom卧室

中国大学MOOC: The following exercises will help you gain greater understanding about how prepositional phrases work. Choose the best answer to complete each sentence.__________________ the chair sat mouldering in the attic.

Nicholas Winton’s rescue action went unnoticed for half a century until in 1988 _______ found a detailed scrapbook in their attic, containing lists of the children, their parents' names, the names and addresses of the families that adopted these children.

Read the following passages and complete the exercises below: A Van Gogh’s Trip from the Attic to the Museum Amsterdam—For roughly a century, the painting Sunset at Montmajour was considered a fake. It was stored in an attic and then held in a private collection, unknown to the public and dismissed by art historians. But on Monday, the Van Gogh Museum declared the work a genuine product of the master, calling it a major discovery. Sunset at Montmajour, painted in Arles in 1888, “is a work from the most important period of his life, when he created his substantial masterpieces, like sunflowers, The Yellow House and The Bedroom”, said the museum’s director, Axel Ruger, in an interview. The painting depicts dusk in the hilly, forested landscape of Montmajour, in Provence, with wheat fields and the ruins of a Benedictine abbey in the distance. The area around Montmajour was a subject that van Gogh revisited often during his time in Arles. “Once or two early van Goghs do sometimes come out of the woodwork now and again, but from the mature period, it’s very rare.” Said James Roundell, and art dealer and the director of modern pictures for the Dickinson galleries in London and New York, which deals in Impressionist and modern art. Mr. Roundell said it would be hard to predict precisely how much Sunset at Montmajour would fetch on the market, but expected it would be “ in the tends of millions and quite a few of them”. He added. “It’s not the iconic status of something like the Sunflower , or the Portrait of Dr. Gachet. ”which sold at an auction for $ 82.5 million in 1990. Fred Leeman, a former chief curator of the museum and now an independent art historian and van Gogh scholar based here. Said the work, which he called “100 percent genuine”, contributes to an alternative understanding of the artist.” We have the impression of van Gogh as a very modern painter, but he’s working in the tradition of 19 th -century landscape painting.” He said. The painting has been in the collection of family for several years, and Mr. Ruger said that because of privacy concerns, he couldn’t release any more information about the owners. Until 1901, the painting was in the collection once owned by van Gogh’s brother. Theo, said Marije Vellekoop, the head of collections, research and presentation for the museum. His widow, Johanna van Gogh-Bonger, sold it to a Paris art dealer. In 1908, the art dealer sold it to a Norwegian collector, Ms. Vellekoop said. Shortly after that, she added, “it was declared a fake, or not an original”, and the Norwegian collector banished it to his attic, where it stayed until he died in 1970. The current owners purchased it thereafter. They took it to the Van Gogh Museum in 1991, Mr. Ruger said, but at the time, experts there said they did not think it was authentic. Two years ago, the owners took it back to the museum, and researchers from the museum have been examining it ever since, Mr. Ruger said. Louis van Tilborgh, the museum’s senior researcher, said that since 1991, the museum has developed several new techniques for identifying and authenticating works of art. He said that all those methods were put to use when researchers had the chance to look at this painting again. According to Mr. van Tiborgh, it was painted on the same type of canvas with the same type of underpainting van Gogh used for at least one other painting of the same area, The Rocks. The work was also listed as part of Theo van Gogh’s collection in 1890. It has “180” painted on the back, which corresponds to the number in the collection inventory. “That was the clincher,” he said. Mr. Ruger added: “This time, we have topographical information, plus a number of other factors that have helped us to establish authenticity. Research is so much more advanced now, so we could come to a very different conclusion.” The last major van Gogh brought to light, the museum said, was the 1888 painting Tarascon Stagecoach, in the 1930s. The date of Sunset at Montmajour has been identified as July 4, 1888. In a letter van Gogh wrote to his brother the next day, he seemed to have described the scene: Yesterday, at sunset, I was on a stony heath, where very small, twisted oaks grow, in the background a ruin on the hill and wheat fields in the valley. It was romantic, it couldn’t be more so, a la Monticelli, the sun was pouring its very yellow rays over the bushes and the ground, absolutely a shower of gold. And all the lines were beautiful; the whole scene had charming nobility.” (He was referring to the works of Adolphe Monticelli, one of the first painters van Gogh admired when he moved to Pairs in 1886, and who played a role in van Gogh’s to move to Provence.) Sunset at Montmajou is comparable in size to Sunflowers, which was painted the same year and sold for $ 39.9 million in 1987 at an auction at Christie’s in London. Van Gogh moved to Arles in February 1888 and spent time exploring the landscapes in Provence, and doing work “en plein air”, or in nature. He was particularly fascinated by the flat landscape around the hill of Montmajour, with its rocky outcropping and hay-colored fields. In a letter dated July 1888, he said that he had been to Montmajour, at least 30 times “to see the view over the plain”. Mr. Leeman, the historian, said that “in hindsight, many pointers in his letters and entries in catalogs of the 1900s have been linked to other paintings or misidentified.” Adding, “Here, we see a painting that fits those descriptions exactly.” The painting will be on view at the museum for one year, starting on Sept. 24, as part of the current exhibition, “ Van Gogh at work”, which focuses on other new discoveries about the painter’s artistic development. Mr Ruger said the current owners have not indicated what they intend to do with it after that. Fill in each blank with one word from a list of choices given in a word bank following the passage. Sunset at Montmajou, a 1) _____________ of trees and sky in the south of France in van Gogh’s familiar thick brush strokes, was painted in 1888 but had been lying in the 2) ______________of a 3)___________collector who brought the painting in 1908 because it was 4)_______________as a 5)___________. The painting was unveiled at the Van Gogh Museum in 6) ____________ on Monday, with Axel Ruger, the 7) __________, describing it as a “Once in a life time experience”. The painting was 8) ____________based on comparisons with van Gogh’s 9) ____________ and a letter he wrote in which he described the painting. It could be 10) ____________to the exact day it was painted because Vincent described it in a letter to his brother. Then, and said he painted it the previous day — July 4, 1888. A) dismissed F) landscape K ） director B) dated G) genuine L ） banished C) authenticated H) techniques M) curator D) fake I) portrait N) Amsterdam E) Norwegian J) attic O) Paris

中国大学MOOC: Section B Directions: Read the following article and choose “True” or “False” for sentences 26-35. Letters to Soldiers Many years ago, an old woman named Peggy Ford wrote letters to some men. The men were soldiers who were fighting in the Vietnam War. The soldiers were in fight, far way from their home. They missed their families, and they liked to get the letters from Peggy. Peggy also kept the letters that the soldiers wrote back to her. Peggy Ford died more than 30 years ago. Earlier this year, Ford’s children discovered the letters in her attic (阁楼). They decided to donate the letters to a history museum. The museum is happy to have the letters. They feel that the soldiers’ stories of the war are valuable. They tell the story of the war better than anyone else could. The museum feels that it’s important to remember the war. The letters show a personal viewpoint of the war. They are a valuable part of history. A news station filmed a story about Peggy Ford and the letters. The story was posted on the Internet. Many people saw the story, and read about Ford’s letters to the soldiers. The story made other people want to donate letters. Many people called the museum. They offered to donate their letters from that era. One woman gave the museum more than 200 letters that she wrote to her husband while he was stationed in Vietnam. She had saved them for many years. She thought others would be interested in them. Peggy Ford was a kind, caring woman. Her letters to the soldiers made them feel better. One woman thinks Ford is an inspiration. She is urging others to write to soldiers in Iraq. She says that a letter would bring a smile to a soldier’s face. Cookies and other treats could be sent with the letters. Small gifts and letters would make the soldiers feel better. She believes that it’s important to say thank you to the soldiers. She thinks the letters would be a good way to do that. She knows that the soldiers appreciate the letters.26. Peggy Ford wrote letters to those who were interested in the Vietnam War.