A wall dividing two cavities, such as the chambers of the heart, it is called: A: septum B: membrane C: Endosteum D: tunic
A wall dividing two cavities, such as the chambers of the heart, it is called: A: septum B: membrane C: Endosteum D: tunic
An accumulation of excess fluid in the body cavities is seen in () A: Edema B: Hydrops C: Hydremia D: Water<br/>intoxication E: Dehydration
An accumulation of excess fluid in the body cavities is seen in () A: Edema B: Hydrops C: Hydremia D: Water<br/>intoxication E: Dehydration
Oral _________include any type of tissue abnormality in the mouth, like dental caries or cavities, ulcers, and gingivitis. A: lesions B: erosions C: incisions D: eversions
Oral _________include any type of tissue abnormality in the mouth, like dental caries or cavities, ulcers, and gingivitis. A: lesions B: erosions C: incisions D: eversions
“worm-eaten<br/>cavities “occurs in:____ A: Primary Tuberculosis B: Acute disseminated tuberculosis C: Subacute and chronic disseminated tuberculosis D: Caseous pneumonia E: Secondary pulmonary tuberculosis
“worm-eaten<br/>cavities “occurs in:____ A: Primary Tuberculosis B: Acute disseminated tuberculosis C: Subacute and chronic disseminated tuberculosis D: Caseous pneumonia E: Secondary pulmonary tuberculosis
Worm-eaten<br/>cavities can be find which one:____ A: acute<br/>disseminated tuberculosis B: caseous<br/>pneumonia C: tuberculoma D: loubor<br/>pneumonia E: primary<br/>lesion of lung tuberculosis.
Worm-eaten<br/>cavities can be find which one:____ A: acute<br/>disseminated tuberculosis B: caseous<br/>pneumonia C: tuberculoma D: loubor<br/>pneumonia E: primary<br/>lesion of lung tuberculosis.
The most accurate description of the wheal is ( ) A: these are palpable and elevated lesions more than 1cm in size. B: these are transient, well demarcated and elevated swellings of the<br/>skin. C: these are sharply circumscribed, elevated, clear fluid-containing<br/>cavities less than 1cm in diameter. D: this is simply a flat circumscribed change in the color or texture of<br/>the skin, without elevation or depression.
The most accurate description of the wheal is ( ) A: these are palpable and elevated lesions more than 1cm in size. B: these are transient, well demarcated and elevated swellings of the<br/>skin. C: these are sharply circumscribed, elevated, clear fluid-containing<br/>cavities less than 1cm in diameter. D: this is simply a flat circumscribed change in the color or texture of<br/>the skin, without elevation or depression.
Which of the following statement is the appropriate description of cast? A: the hardened resin of tree sap trapped organisms within it, sealing them from the atmosphere B: a mineral-matter filling of a hollow space left by a dissolved shell C: a shell is buried in sediment and then dissolved, leaving the sediment to take the shape of the organism D: a filling of a life form’s pore spaces and cavities with precipitated minerals
Which of the following statement is the appropriate description of cast? A: the hardened resin of tree sap trapped organisms within it, sealing them from the atmosphere B: a mineral-matter filling of a hollow space left by a dissolved shell C: a shell is buried in sediment and then dissolved, leaving the sediment to take the shape of the organism D: a filling of a life form’s pore spaces and cavities with precipitated minerals
Why do people of heart disease often feel uncomfortable while taking a flight A: Because low pressure can cause the air in body cavities to expand. B: Because medical devices implanted in their bodies expand. C: Because they tend to sit too long in a cramped position. D: Because the amount of oxygen flowing through their blood vessels is reduced and thus causing chest pains.
Why do people of heart disease often feel uncomfortable while taking a flight A: Because low pressure can cause the air in body cavities to expand. B: Because medical devices implanted in their bodies expand. C: Because they tend to sit too long in a cramped position. D: Because the amount of oxygen flowing through their blood vessels is reduced and thus causing chest pains.
鼻被鼻中隔分为左右两个鼻腔,鼻腔经鼻孔开口于面部,经鼻后孔与咽部相通。 A: Nose is subdivided into a left and right canal by the nasal septum. Each canal opens to the face by a nostril and into the pharynx by the choana. B: The nasal septum divides the nose into the left and right nasal cavities, which open in the face through the nostrils and communicate with the pharynx through the posterior nasal foramen.
鼻被鼻中隔分为左右两个鼻腔,鼻腔经鼻孔开口于面部,经鼻后孔与咽部相通。 A: Nose is subdivided into a left and right canal by the nasal septum. Each canal opens to the face by a nostril and into the pharynx by the choana. B: The nasal septum divides the nose into the left and right nasal cavities, which open in the face through the nostrils and communicate with the pharynx through the posterior nasal foramen.
What nature is telling you? 1 Let’s sit down here, all of us, on the open prairie, where we can’t see a highway or a fence, free from the debris of the city. Let’s have no blankets to sit on, but let our bodies converge with the earth, the surrounding trees and shrubs. Let’s have the vegetation for a mattress, experiencing its texture, its sharpness and its softness. Let us become like stones, plants, and trees. Let us be animals, think and feel like animals. 2 This is my plea: Listen to the air. You can hear it, feel it, smell it, taste it. We feel it between us, as a presence presiding over the day. It is a good way to start thinking about nature and talking about it. To go further, we must rather talk to it, talk to the rivers, to the lakes, to the winds as to our relatives. 3 You have impaired our ability to experience nature in the good way, as part of it. Even here we are conscious that somewhere beyond the marsh and its cranes, somewhere out in those hills there are radar towers and highway overpasses. This land is so beautiful and strange that now some of you want to make it into a national park. You have not only contaminated the earth, the rocks, the minerals, all of which you call “dead” but which are very much alive; you have even changed the animals, which are part of us, changed them into vulgar zoological mutations, so no one can recognize them. 4 There is power in an antelope, so you let it graze within your fences. But what power do you see in a goat or sheep, prey animals with no defenses, creatures that hold still while you slaughter them? There was great power in a wolf, even in a fox. You have inverted nature and turned these noble animals into miniature lap dogs. Nature is bound by your ropes and whips and is obedient to your commands. You can’t do much with a cat, so you fix it, alter it, declaw it, and even cut its vocal cords so that you can experiment on it in a laboratory without being disturbed by its cries. 5 You have also made all types of wild birds into chickens – creatures with wings so impaired that they cannot fly. There are farms where you breed chickens for breast meat. Those birds are kept in low, repressive cages, forced to be hunched over all the time, which makes the breast muscles very big. One loud noise and the chickens go mad, killing themselves by flying against the walls of their cages. Having to spend all their lives stooped over makes an unnatural, crazy, no-good bird. It also makes unnatural, detached, no-good human beings. 6 That’s where you’ve fooled yourselves. You have not only altered, declawed, and deformed your winged and four-legged cousins; you have done it concurrently to yourselves. You inject Botox, or use plastic surgery, synthetic make-up and countless drugs. You have filtered and remolded humans into executives sitting in boardrooms, into office workers, into time-clock punchers. Your homes are filled with families disconnected from one another but tied to one great entity, television. 7 “Watch the ashes, don’t smoke, you’ll stain the curtains. Watch the goldfish bowl. Don’t lean your head against the wallpaper; your hair may be greasy. Don’t spill liquor on that table: You’ll peel off its delicate finish. You should have wiped your boots; the floor was just cleaned. Don’t, don’t, don’t ...” That is absurd! We weren’t made to endure this type of repression. You live in prisons which you have built for yourselves, calling them “homes”, offices, factories. 8 Sometimes I think that even our pitiful small houses are better than your luxury mansions. Strolling a hundred feet to the outhouse on a clear wintry night, through mud or snow, that’s one small link with nature. Or in the summer, in the back country, taking your time, listening to the humming of the insects or the flapping of birds’ wings, the sun warming your bones through the nodding branches of trees; you don’t even have that pleasure of coexistence with nature anymore. 9 You subscribe to the belief that everything must be germ free. No smells! Not even the good, natural man and woman odors. Eradicate the smell from under your armpits, from your skin. Rub it out, and then spray some botanical odor on yourself, stuff you can spend a lot of money on, ten dollars an ounce, so you know this has to smell good. Why do you keep such a distance from your bodies’ functions, cavities and smells that you’ve alienated yourselves from the natural world, of which you are an integral part? 10 I think you are so afraid and intolerant of the world around you. You deplore the natural world; you don’t want to see, feel, smell, or hear it. The feelings of rain and snow on your face, being numbed by an icy wind and warmed back up by a smoking fire, coming out of a hot sweat bath and plunging into a cold stream, these things are the spice of life, but you don’t want them anymore. 11 You’re cage dwellers, living in boxes which shut out the hot humidity of the summer and the chill of winter, living inside a body that no longer has a scent. You’re hearing the noise from the hi-fi instead of listening to the sounds of nature. You’re watching actors on TV having a make-believe experience when you no longer experience anything for yourself. That’s your way. It’s no good.
What nature is telling you? 1 Let’s sit down here, all of us, on the open prairie, where we can’t see a highway or a fence, free from the debris of the city. Let’s have no blankets to sit on, but let our bodies converge with the earth, the surrounding trees and shrubs. Let’s have the vegetation for a mattress, experiencing its texture, its sharpness and its softness. Let us become like stones, plants, and trees. Let us be animals, think and feel like animals. 2 This is my plea: Listen to the air. You can hear it, feel it, smell it, taste it. We feel it between us, as a presence presiding over the day. It is a good way to start thinking about nature and talking about it. To go further, we must rather talk to it, talk to the rivers, to the lakes, to the winds as to our relatives. 3 You have impaired our ability to experience nature in the good way, as part of it. Even here we are conscious that somewhere beyond the marsh and its cranes, somewhere out in those hills there are radar towers and highway overpasses. This land is so beautiful and strange that now some of you want to make it into a national park. You have not only contaminated the earth, the rocks, the minerals, all of which you call “dead” but which are very much alive; you have even changed the animals, which are part of us, changed them into vulgar zoological mutations, so no one can recognize them. 4 There is power in an antelope, so you let it graze within your fences. But what power do you see in a goat or sheep, prey animals with no defenses, creatures that hold still while you slaughter them? There was great power in a wolf, even in a fox. You have inverted nature and turned these noble animals into miniature lap dogs. Nature is bound by your ropes and whips and is obedient to your commands. You can’t do much with a cat, so you fix it, alter it, declaw it, and even cut its vocal cords so that you can experiment on it in a laboratory without being disturbed by its cries. 5 You have also made all types of wild birds into chickens – creatures with wings so impaired that they cannot fly. There are farms where you breed chickens for breast meat. Those birds are kept in low, repressive cages, forced to be hunched over all the time, which makes the breast muscles very big. One loud noise and the chickens go mad, killing themselves by flying against the walls of their cages. Having to spend all their lives stooped over makes an unnatural, crazy, no-good bird. It also makes unnatural, detached, no-good human beings. 6 That’s where you’ve fooled yourselves. You have not only altered, declawed, and deformed your winged and four-legged cousins; you have done it concurrently to yourselves. You inject Botox, or use plastic surgery, synthetic make-up and countless drugs. You have filtered and remolded humans into executives sitting in boardrooms, into office workers, into time-clock punchers. Your homes are filled with families disconnected from one another but tied to one great entity, television. 7 “Watch the ashes, don’t smoke, you’ll stain the curtains. Watch the goldfish bowl. Don’t lean your head against the wallpaper; your hair may be greasy. Don’t spill liquor on that table: You’ll peel off its delicate finish. You should have wiped your boots; the floor was just cleaned. Don’t, don’t, don’t ...” That is absurd! We weren’t made to endure this type of repression. You live in prisons which you have built for yourselves, calling them “homes”, offices, factories. 8 Sometimes I think that even our pitiful small houses are better than your luxury mansions. Strolling a hundred feet to the outhouse on a clear wintry night, through mud or snow, that’s one small link with nature. Or in the summer, in the back country, taking your time, listening to the humming of the insects or the flapping of birds’ wings, the sun warming your bones through the nodding branches of trees; you don’t even have that pleasure of coexistence with nature anymore. 9 You subscribe to the belief that everything must be germ free. No smells! Not even the good, natural man and woman odors. Eradicate the smell from under your armpits, from your skin. Rub it out, and then spray some botanical odor on yourself, stuff you can spend a lot of money on, ten dollars an ounce, so you know this has to smell good. Why do you keep such a distance from your bodies’ functions, cavities and smells that you’ve alienated yourselves from the natural world, of which you are an integral part? 10 I think you are so afraid and intolerant of the world around you. You deplore the natural world; you don’t want to see, feel, smell, or hear it. The feelings of rain and snow on your face, being numbed by an icy wind and warmed back up by a smoking fire, coming out of a hot sweat bath and plunging into a cold stream, these things are the spice of life, but you don’t want them anymore. 11 You’re cage dwellers, living in boxes which shut out the hot humidity of the summer and the chill of winter, living inside a body that no longer has a scent. You’re hearing the noise from the hi-fi instead of listening to the sounds of nature. You’re watching actors on TV having a make-believe experience when you no longer experience anything for yourself. That’s your way. It’s no good.