In the temple you will find the ______ of many gods and goddesses. A: images B: portraits C: statues D: icons
In the temple you will find the ______ of many gods and goddesses. A: images B: portraits C: statues D: icons
What did Julia Margaret Cameron emphasize in her portraits A: The outlook. B: The personality. C: The minor details. D: The lightening.
What did Julia Margaret Cameron emphasize in her portraits A: The outlook. B: The personality. C: The minor details. D: The lightening.
The focal length of the lens is more suitable for shooting close-up portraits is _____. A: 24~105mm B: 24~70mm C: 85~135mm D: 70~200mm
The focal length of the lens is more suitable for shooting close-up portraits is _____. A: 24~105mm B: 24~70mm C: 85~135mm D: 70~200mm
When shooting close-up portraits, the commonly used shooting techniques are _____. A: Increase sensitivity B: Simple picture C: Choose the right lens D: Correct facial defects
When shooting close-up portraits, the commonly used shooting techniques are _____. A: Increase sensitivity B: Simple picture C: Choose the right lens D: Correct facial defects
In the shooting of mid-range portraits, the background processing methods are _______. A: Avoid large black or other eye-catching colors in the background B: Blurred scene C: Remove redundant elements in the scene D: No treatment
In the shooting of mid-range portraits, the background processing methods are _______. A: Avoid large black or other eye-catching colors in the background B: Blurred scene C: Remove redundant elements in the scene D: No treatment
In the process of shooting mid-range portraits, the commonly used shooting techniques are _______. A: Use stage property B: Keep all elements in the scene C: Reasonably deal with redundant elements in the background scene D: The character must be placed in the center of the screen
In the process of shooting mid-range portraits, the commonly used shooting techniques are _______. A: Use stage property B: Keep all elements in the scene C: Reasonably deal with redundant elements in the background scene D: The character must be placed in the center of the screen
Grammar: True or False (10 points, 1 points for each)Read the following sentence and decide whether it isTrue or False.The following sentence is correct: I like taking photos of nature, while my sister prefers taking portraits of people.
Grammar: True or False (10 points, 1 points for each)Read the following sentence and decide whether it isTrue or False.The following sentence is correct: I like taking photos of nature, while my sister prefers taking portraits of people.
I. Beryl Cook is very ________. Two paintings to illustrate this: a portrait of ________ and a picture called ________ II. Beryl Cook has two very rare gifts. A. ________. B. The ability to catch the absolute ________ III. Beryl Cook has a very keen feeling for pictorial ________. An example of the picture called ________. IV. Two things that account for her success. A. Brilliantly accurate portraits of ________. B. ________.
I. Beryl Cook is very ________. Two paintings to illustrate this: a portrait of ________ and a picture called ________ II. Beryl Cook has two very rare gifts. A. ________. B. The ability to catch the absolute ________ III. Beryl Cook has a very keen feeling for pictorial ________. An example of the picture called ________. IV. Two things that account for her success. A. Brilliantly accurate portraits of ________. B. ________.
PASSGE TWO(1) Yousuf Karsh, the Canadian portrait artist who photographed many of the most influential figures of the 20th century, died in a Boston hospital on July 13, 2002, after complications following surgery. He was 93.(2) Working from a studio in Ottawa, Karsh produced famous portraits of such subjects as Winston Churchill, John F. Kennedy, Nikita Khrushchev, Fidel Castro, Ernest Hemingway and Albert Einstein. Actually he has become almost as famous as his legendary subjects. In the latest edition of Who’s Who, which listed the most notable people of the last century, Karsh was the only Canadian of the 100 famous people listed―51 of whom Karsh had photographed.(3) Karsh was praised as a master portraitist, often working in black and white, influenced by great painters of the past. He was famous for talking to his subjects as he was getting the shot’s composition just right, asking them questions and putting them at ease. He confesses that he continues to feel more challenged when "portraying true greatness adequately with my camera." In preparation, he reads as much as he can about the person before the sitting, but avoids having a preconceived idea of how he would photograph the subject. Rather he seeks, as he wrote in Karsh Portfolio in 1967, to capture the "essential element which has made them great," explaining, "All I know is that within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can. In that fleeting interval of opportunity the photographer must act or lose his prize."(4) Yousuf Karsh was born in Armenia in 1908 and grew up under the horrors of the Armenian massacres. His photographer uncle, George Nakash, brought him to Canada in 1924 and sent him to Boston in 1928 to apprentice with John Garo, an outstanding photographer. He not only taught Karsh the technical processes used by photographic artists of the period but also prepared him to think for himself and evolve his own distinctive interpretations.(5) Four years later, he set up his studio in Ottawa. In December of 1941, his memorable portrait of a glowering, defiant Winston Churchill, which symbolized Britain’s indomitable wartime courage, brought Karsh into international prominence. Canada’s Prime Minister Mackenzie King arranged for Karsh to photograph Churchill following Churchill’s speech in the House of Commons. Not forewarned, Churchill lit up a cigar and growled, "Why was I not told of this?" but consented to a brief session. Karsh asked him to remove the cigar and, when he didn’t, stepped forward and gently removed it with the comment, "Forgive me, Sir." Churchill glowered as the shot was taken, then permitted Karsh to take still another, jokingly commenting, "You can even make a roaring lion stand still to be photographed." The Churchill portrait has since appeared in publications and on commemorative stamps all over the world.(6) Karsh traveled to London in 1943 with his portable studio―an 8×10 view camera and many studio lamps to photograph such notables as George Bernard Shaw, the Archbishop of Canterbury, and the royal family. All these portraits illustrate Karsh’s ability to capture the essence of his sitter.26. According to the passage, Yousuf Karsh is a/an ( ). A: American B: Canadian C: British D: Armenian
PASSGE TWO(1) Yousuf Karsh, the Canadian portrait artist who photographed many of the most influential figures of the 20th century, died in a Boston hospital on July 13, 2002, after complications following surgery. He was 93.(2) Working from a studio in Ottawa, Karsh produced famous portraits of such subjects as Winston Churchill, John F. Kennedy, Nikita Khrushchev, Fidel Castro, Ernest Hemingway and Albert Einstein. Actually he has become almost as famous as his legendary subjects. In the latest edition of Who’s Who, which listed the most notable people of the last century, Karsh was the only Canadian of the 100 famous people listed―51 of whom Karsh had photographed.(3) Karsh was praised as a master portraitist, often working in black and white, influenced by great painters of the past. He was famous for talking to his subjects as he was getting the shot’s composition just right, asking them questions and putting them at ease. He confesses that he continues to feel more challenged when "portraying true greatness adequately with my camera." In preparation, he reads as much as he can about the person before the sitting, but avoids having a preconceived idea of how he would photograph the subject. Rather he seeks, as he wrote in Karsh Portfolio in 1967, to capture the "essential element which has made them great," explaining, "All I know is that within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can. In that fleeting interval of opportunity the photographer must act or lose his prize."(4) Yousuf Karsh was born in Armenia in 1908 and grew up under the horrors of the Armenian massacres. His photographer uncle, George Nakash, brought him to Canada in 1924 and sent him to Boston in 1928 to apprentice with John Garo, an outstanding photographer. He not only taught Karsh the technical processes used by photographic artists of the period but also prepared him to think for himself and evolve his own distinctive interpretations.(5) Four years later, he set up his studio in Ottawa. In December of 1941, his memorable portrait of a glowering, defiant Winston Churchill, which symbolized Britain’s indomitable wartime courage, brought Karsh into international prominence. Canada’s Prime Minister Mackenzie King arranged for Karsh to photograph Churchill following Churchill’s speech in the House of Commons. Not forewarned, Churchill lit up a cigar and growled, "Why was I not told of this?" but consented to a brief session. Karsh asked him to remove the cigar and, when he didn’t, stepped forward and gently removed it with the comment, "Forgive me, Sir." Churchill glowered as the shot was taken, then permitted Karsh to take still another, jokingly commenting, "You can even make a roaring lion stand still to be photographed." The Churchill portrait has since appeared in publications and on commemorative stamps all over the world.(6) Karsh traveled to London in 1943 with his portable studio―an 8×10 view camera and many studio lamps to photograph such notables as George Bernard Shaw, the Archbishop of Canterbury, and the royal family. All these portraits illustrate Karsh’s ability to capture the essence of his sitter.26. According to the passage, Yousuf Karsh is a/an ( ). A: American B: Canadian C: British D: Armenian
Directions: In this section, there is a passage with ten blanks. You are required to select one word for each blank from a list of choices given in a word bank following the passage. Read the passage through carefully before making your choices. Each choice in the bank is identified by a letter. Please mark the corresponding letter for each item on Answer Sheet 2 with a single line through the centre. You may not use any of the words in the bank more than once.Questions 36 to 45 are based on the following passage.To get a sense of how women have progressed in science, take a quick tour of the physics department at the University of California, Berkeley. This is a storied place, the ________36__________ of some of the most important discoveries in modern science—starting with Ernest Lawrence’s invention of the cyclotron (回旋加速器) in 1931. A generation ago, female faces were _____37______ and, even today, visitors walking through the first floor of LeConte Hall will see a full corridor of exhibits ______38______ the many distinguished physicists who made history here, ______39_____ all of them white males.But climb up to the third floor and you’ll see a ______40________ display. There, among the photos of current faculty members and students, are portraits of the _______41_________ head of the department, Marjorie Shapiro, and four other women whose research ________42_________ everything from the mechanics of the universe to the smallest particles of matter. A sixth woman was hired just two weeks ago. Although they’re still only about 10 percent of the physics faculty, women are clearly a presence here. And the real ________43________ may be in the smaller photos to the right:graduate and undergraduate students, about 20 percent of them female. Every year Berkeley sends its fresh female physics PhDs to the country’s top universities. That makes Shapiro optimistic, but also __________44__________ .“I believe things are getting better,” she says, “but they’re not getting better as ________45_________ as I would like.”A) circumstanceB) confidenceC) coversD) currentE) dealsF) differentG) exposingH) fastI) honoringJ) hopeK) presentlyL) rareM) realisticN) siteO) virtually
Directions: In this section, there is a passage with ten blanks. You are required to select one word for each blank from a list of choices given in a word bank following the passage. Read the passage through carefully before making your choices. Each choice in the bank is identified by a letter. Please mark the corresponding letter for each item on Answer Sheet 2 with a single line through the centre. You may not use any of the words in the bank more than once.Questions 36 to 45 are based on the following passage.To get a sense of how women have progressed in science, take a quick tour of the physics department at the University of California, Berkeley. This is a storied place, the ________36__________ of some of the most important discoveries in modern science—starting with Ernest Lawrence’s invention of the cyclotron (回旋加速器) in 1931. A generation ago, female faces were _____37______ and, even today, visitors walking through the first floor of LeConte Hall will see a full corridor of exhibits ______38______ the many distinguished physicists who made history here, ______39_____ all of them white males.But climb up to the third floor and you’ll see a ______40________ display. There, among the photos of current faculty members and students, are portraits of the _______41_________ head of the department, Marjorie Shapiro, and four other women whose research ________42_________ everything from the mechanics of the universe to the smallest particles of matter. A sixth woman was hired just two weeks ago. Although they’re still only about 10 percent of the physics faculty, women are clearly a presence here. And the real ________43________ may be in the smaller photos to the right:graduate and undergraduate students, about 20 percent of them female. Every year Berkeley sends its fresh female physics PhDs to the country’s top universities. That makes Shapiro optimistic, but also __________44__________ .“I believe things are getting better,” she says, “but they’re not getting better as ________45_________ as I would like.”A) circumstanceB) confidenceC) coversD) currentE) dealsF) differentG) exposingH) fastI) honoringJ) hopeK) presentlyL) rareM) realisticN) siteO) virtually