Cartoons are a source of gender-role socialization.
Cartoons are a source of gender-role socialization.
Many comic books ______ into cartoons in the past 40 years.
Many comic books ______ into cartoons in the past 40 years.
Itis required that you draw some cartoons on the thank-you note.
Itis required that you draw some cartoons on the thank-you note.
Walt Disney was a _________ of cartoons as well as live action motion pictures. (produce)
Walt Disney was a _________ of cartoons as well as live action motion pictures. (produce)
Walt Disney's movies and cartoons children and grown-ups since 1926. (amusement)
Walt Disney's movies and cartoons children and grown-ups since 1926. (amusement)
Which stage does the following structure falls into: “The … illustrates/ demonstrates/ tells us/ reveals that …” writing about cartoons?
Which stage does the following structure falls into: “The … illustrates/ demonstrates/ tells us/ reveals that …” writing about cartoons?
Which of the following visual aids are usually used in a poster? A: tables B: figures C: pictures D: cartoons
Which of the following visual aids are usually used in a poster? A: tables B: figures C: pictures D: cartoons
Some of my classmates _________ cartoons _________ documentaries(纪录片). A: prefer; to B: like; better C: like; the most D: would rather; than
Some of my classmates _________ cartoons _________ documentaries(纪录片). A: prefer; to B: like; better C: like; the most D: would rather; than
What does the mother want to tell through the fact that her daughter has bought a truck instead of a car and that she is still watching cartoons?
What does the mother want to tell through the fact that her daughter has bought a truck instead of a car and that she is still watching cartoons?
To listen to a record, to sit through a movie, to watch cartoons on television --these activities all require nothing of the cultural consumer, save his mere presence.
To listen to a record, to sit through a movie, to watch cartoons on television --these activities all require nothing of the cultural consumer, save his mere presence.