In the 1980s, Levi Strauss & Co. _________ (open) a lot of jeans factories in Latin America and Asia.
In the 1980s, Levi Strauss & Co. _________ (open) a lot of jeans factories in Latin America and Asia.
扎根理论（grounded theory）由社会学家Glaser和Strauss于1967年提出。
扎根理论（grounded theory）由社会学家Glaser和Strauss于1967年提出。
金属材质的选项为（）。 A: Strauss B: Phong C: Blinn D: Metal
金属材质的选项为（）。 A: Strauss B: Phong C: Blinn D: Metal
Which musician is quoted in the film The King's Speech? A: Mozart B: Brahmus C: Beethoven D: Richard ▪ Strauss
Which musician is quoted in the film The King's Speech? A: Mozart B: Brahmus C: Beethoven D: Richard ▪ Strauss
扎根理论是由以下哪位学者提出的？ A: Glaser&Strauss B: Husserl&Heidegger C: Ryan and Miller D: Wheeler
扎根理论是由以下哪位学者提出的？ A: Glaser&Strauss B: Husserl&Heidegger C: Ryan and Miller D: Wheeler
The blue jeans have the following characteristic except… A: they gained world-wide popularity B: they stand for “ a manly and legitimate passion for equality C: cowboys like them, but bureaucrats and banks don’t D: the founder of blue jeans is Levi Strauss
The blue jeans have the following characteristic except… A: they gained world-wide popularity B: they stand for “ a manly and legitimate passion for equality C: cowboys like them, but bureaucrats and banks don’t D: the founder of blue jeans is Levi Strauss
被称为“非洲之子”的是以下哪位名人？ A: 阿尔贝特·史怀泽 （ Albert Schweitzer） B: 列奥·施特劳斯（Leo Strauss） C: 卡尔·马克思（Karl Heinrich Marx） D: 伊曼努尔·康德（Immanuel Kant）
被称为“非洲之子”的是以下哪位名人？ A: 阿尔贝特·史怀泽 （ Albert Schweitzer） B: 列奥·施特劳斯（Leo Strauss） C: 卡尔·马克思（Karl Heinrich Marx） D: 伊曼努尔·康德（Immanuel Kant）
以下叙述中，关于3dsMax明暗器（ShadingType）的叙述不正确的是（）。 A: 在3dsMax中包括了Blinn，Phong，金属，各向异性，多层，Oren-Nayar-Blinn，Strauss，半透明明暗器等八种明暗器类型。 B: Oren-Nayar-Blinn明暗器比较适合做布料，陶土等无反光或反光较弱的材质 C: Blinn明暗器的反光较Phong柔和，使用的比较广泛 D: Strauss明暗器适用于金属材质的模拟，但比金属明暗器的参数要多一些，不易控制
以下叙述中，关于3dsMax明暗器（ShadingType）的叙述不正确的是（）。 A: 在3dsMax中包括了Blinn，Phong，金属，各向异性，多层，Oren-Nayar-Blinn，Strauss，半透明明暗器等八种明暗器类型。 B: Oren-Nayar-Blinn明暗器比较适合做布料，陶土等无反光或反光较弱的材质 C: Blinn明暗器的反光较Phong柔和，使用的比较广泛 D: Strauss明暗器适用于金属材质的模拟，但比金属明暗器的参数要多一些，不易控制
Why did Jacob W. Davis add rivets to the pants? A: Because the pockets of jeans he tailored often tore. B: Because he received many complaints. C: Because Strauss demanded he do something to prevent the pants from being torn. D: Because he intended to mollify a bad-tempered miner and came up with the idea as a joke
Why did Jacob W. Davis add rivets to the pants? A: Because the pockets of jeans he tailored often tore. B: Because he received many complaints. C: Because Strauss demanded he do something to prevent the pants from being torn. D: Because he intended to mollify a bad-tempered miner and came up with the idea as a joke
Aside from perpetuating (使……持续存在) itself, the sole purpose of the American Academy and Institute of Arts and Letters is to “foster, assist and sustain an interest” in literature, music, and art. This it does by enthusiastically handing out money. Annual cash awards are given to deserving artists in various categories of creativity: architecture, musical composition, theater, novels, serious poetry, light verse, painting, sculpture. One award subsidizes a promising American writer’s visit to Rome. There is even an award for a very good work of fiction that failed commercially once won by the young John Updike for The Poorhouse Fair and, more recently, by Alice Walker for In Love and Trouble. The awards and prizes total about $750,000 a year, but most of them range in size from $5,000 to $12,500, a welcome sum to many young practitioners whose work may not bring in that much money in a year. One of the advantages of the awards is that many go to the struggling artists, rather than to those who are already successful. Members of the Academy and Institute are not eligible (有资格的) for any cash prizes. Another advantage is that, unlike the National Endowment for the Arts or similar institutions throughout the world, there is no government money involved. Awards are made by committee. Each of the three departments Literature (120 members), Art (83), Music (47)—has a committee dealing with its own field Committee membership rotates every year, so that new voices and opinions are constantly heard. The most financially rewarding of all the Academy-Institute awards are the Mildred and Harold Strauss Livings. Harold Strauss, a devoted editor at Alfred A. Knopf, the New York publishing house, and Mildred Strauss, his wife, were wealthy and childless. They left the Academy-Institute a unique bequest (遗赠): for five consecutive years, two distinguished (and financially needy) writers would receive enough money so they could devote themselves entirely to “prose literature”（no plays, no poetry, and no paying job that might distract). In 1983, the first Strauss Livings of $35,000 a year went to short-story writer Raymond Carver and novelist-essayist Cynthia Ozick. By 1988, the fund had grown enough so that two winners, novelists Diane Johnson and Robert Stone, each got $50,000 a year for five years. How much do the awards and prizes offered by the Academy-Institute total approximately each year?
Aside from perpetuating (使……持续存在) itself, the sole purpose of the American Academy and Institute of Arts and Letters is to “foster, assist and sustain an interest” in literature, music, and art. This it does by enthusiastically handing out money. Annual cash awards are given to deserving artists in various categories of creativity: architecture, musical composition, theater, novels, serious poetry, light verse, painting, sculpture. One award subsidizes a promising American writer’s visit to Rome. There is even an award for a very good work of fiction that failed commercially once won by the young John Updike for The Poorhouse Fair and, more recently, by Alice Walker for In Love and Trouble. The awards and prizes total about $750,000 a year, but most of them range in size from $5,000 to $12,500, a welcome sum to many young practitioners whose work may not bring in that much money in a year. One of the advantages of the awards is that many go to the struggling artists, rather than to those who are already successful. Members of the Academy and Institute are not eligible (有资格的) for any cash prizes. Another advantage is that, unlike the National Endowment for the Arts or similar institutions throughout the world, there is no government money involved. Awards are made by committee. Each of the three departments Literature (120 members), Art (83), Music (47)—has a committee dealing with its own field Committee membership rotates every year, so that new voices and opinions are constantly heard. The most financially rewarding of all the Academy-Institute awards are the Mildred and Harold Strauss Livings. Harold Strauss, a devoted editor at Alfred A. Knopf, the New York publishing house, and Mildred Strauss, his wife, were wealthy and childless. They left the Academy-Institute a unique bequest (遗赠): for five consecutive years, two distinguished (and financially needy) writers would receive enough money so they could devote themselves entirely to “prose literature”（no plays, no poetry, and no paying job that might distract). In 1983, the first Strauss Livings of $35,000 a year went to short-story writer Raymond Carver and novelist-essayist Cynthia Ozick. By 1988, the fund had grown enough so that two winners, novelists Diane Johnson and Robert Stone, each got $50,000 a year for five years. How much do the awards and prizes offered by the Academy-Institute total approximately each year?