Listen carefully and choose the word you hear. A: march B: marsh
Listen carefully and choose the word you hear. A: march B: marsh
He expected the House to pass the bill by a comfortable （）. A: maple B: marble C: marsh D: margin
He expected the House to pass the bill by a comfortable （）. A: maple B: marble C: marsh D: margin
Among the following, which marked the peak of Chinese classical literature? A: Romance of Three Kingdoms B: Outlaws of the Marsh C: A Dream of Red Mansions D: Journey to the West
Among the following, which marked the peak of Chinese classical literature? A: Romance of Three Kingdoms B: Outlaws of the Marsh C: A Dream of Red Mansions D: Journey to the West
下列哪一组英语姓氏是来源于职业 A: Carpenter, Baker, Cook B: Hunter, Hill, Bush C: Broad, Sophia, Little D: Brook, Marsh, Hill
下列哪一组英语姓氏是来源于职业 A: Carpenter, Baker, Cook B: Hunter, Hill, Bush C: Broad, Sophia, Little D: Brook, Marsh, Hill
Which<br/>of the following work does not belong to fictions in Ming and Qing<br/>Dynasty?_____. A: Three Kingdoms B: Outlaws<br/>of the Marsh C: Journey<br/>to the West D: The<br/>West Chamber
Which<br/>of the following work does not belong to fictions in Ming and Qing<br/>Dynasty?_____. A: Three Kingdoms B: Outlaws<br/>of the Marsh C: Journey<br/>to the West D: The<br/>West Chamber
1.4确认机票-视听-Video 2- Let's make dinner!Tonight , Anna and Marsha 1. ____________for their friends at their 2. __________. Anna 3. ____________ , while Marsha 4 ___________. Marsh asks Anna to buy the ingredients on the 5. _______________. Anna loves shopping. She didn't spend too much 6. _____________, but she spent too much 7._____________. When she returns home, Marsha finds that Anna has bought the 8____________for breakfast , not for 9. _____________. Why, because Anna took the wrong 10. _________________ .
1.4确认机票-视听-Video 2- Let's make dinner!Tonight , Anna and Marsha 1. ____________for their friends at their 2. __________. Anna 3. ____________ , while Marsha 4 ___________. Marsh asks Anna to buy the ingredients on the 5. _______________. Anna loves shopping. She didn't spend too much 6. _____________, but she spent too much 7._____________. When she returns home, Marsha finds that Anna has bought the 8____________for breakfast , not for 9. _____________. Why, because Anna took the wrong 10. _________________ .
中国的四大名著是指《三国演义》(Romance of the Three Kingdoms)、《水浒传》(Outlaws of the Marsh)、《西游记》(journey to the West)和《红楼梦》(A Dream of Red Mansions)四部著名小说。它们的创作时间均处于元末明初至清代期间，其内容反映了中国古代的政治和军事斗争、社会矛盾、文化信仰等各个方面。四大名著具有很高的艺术水平，代表了中国古典小说的高峰。书中的许多人物和场景在中国家喻户晓，并且已经深深地影响了整个民族的思想观念和价值取向。四本著作在中国古代民俗、封建制度、社会生活等多个领域皆有巨大的研究价值，是中国乃至全人类的宝贵文化遗产
中国的四大名著是指《三国演义》(Romance of the Three Kingdoms)、《水浒传》(Outlaws of the Marsh)、《西游记》(journey to the West)和《红楼梦》(A Dream of Red Mansions)四部著名小说。它们的创作时间均处于元末明初至清代期间，其内容反映了中国古代的政治和军事斗争、社会矛盾、文化信仰等各个方面。四大名著具有很高的艺术水平，代表了中国古典小说的高峰。书中的许多人物和场景在中国家喻户晓，并且已经深深地影响了整个民族的思想观念和价值取向。四本著作在中国古代民俗、封建制度、社会生活等多个领域皆有巨大的研究价值，是中国乃至全人类的宝贵文化遗产
1.关于谈判的定义，以下说法错误的是（ C ） A: 美国勒德·I·尼尔伦伯格在《谈判艺术中载明："每一个要求满足的愿望和每一项寻求满足的需要,至少都是诱发人们展开谈判过程的潜因.只要人们为了改变相互关系而交换观点,只要人们是为了取得一致而磋商协议,他们就是在进行谈判." B: 英国D.V.马什Marsh, P.D.V.1971年在《合同谈判手册》中写到：“所谓谈判是指有关各方为了自身的目的，在一项涉及各方利益的事务中进行磋商，并通过调整各自提出的条件，最终达成一项各方较为满意的协议这样一个不断协调的过程。” C: 法国谈判学家克里斯托夫﹒杜邦认为：“谈判是使两个或数个角色处于面对面位置上的一项活动。各角色因持有分歧而相互敌对但他们彼此又互为依存。他们选择谋求达成协议的实际态度，以便获利丰厚的物质利益回报。” D: 中国台湾的方鹏程博士在《鬼谷子：说服谈判的艺术》中提到：“谈判是一种说服行为，说服是一种艺术，而非科学的定律。”
1.关于谈判的定义，以下说法错误的是（ C ） A: 美国勒德·I·尼尔伦伯格在《谈判艺术中载明："每一个要求满足的愿望和每一项寻求满足的需要,至少都是诱发人们展开谈判过程的潜因.只要人们为了改变相互关系而交换观点,只要人们是为了取得一致而磋商协议,他们就是在进行谈判." B: 英国D.V.马什Marsh, P.D.V.1971年在《合同谈判手册》中写到：“所谓谈判是指有关各方为了自身的目的，在一项涉及各方利益的事务中进行磋商，并通过调整各自提出的条件，最终达成一项各方较为满意的协议这样一个不断协调的过程。” C: 法国谈判学家克里斯托夫﹒杜邦认为：“谈判是使两个或数个角色处于面对面位置上的一项活动。各角色因持有分歧而相互敌对但他们彼此又互为依存。他们选择谋求达成协议的实际态度，以便获利丰厚的物质利益回报。” D: 中国台湾的方鹏程博士在《鬼谷子：说服谈判的艺术》中提到：“谈判是一种说服行为，说服是一种艺术，而非科学的定律。”
What nature is telling you? 1 Let’s sit down here, all of us, on the open prairie, where we can’t see a highway or a fence, free from the debris of the city. Let’s have no blankets to sit on, but let our bodies converge with the earth, the surrounding trees and shrubs. Let’s have the vegetation for a mattress, experiencing its texture, its sharpness and its softness. Let us become like stones, plants, and trees. Let us be animals, think and feel like animals. 2 This is my plea: Listen to the air. You can hear it, feel it, smell it, taste it. We feel it between us, as a presence presiding over the day. It is a good way to start thinking about nature and talking about it. To go further, we must rather talk to it, talk to the rivers, to the lakes, to the winds as to our relatives. 3 You have impaired our ability to experience nature in the good way, as part of it. Even here we are conscious that somewhere beyond the marsh and its cranes, somewhere out in those hills there are radar towers and highway overpasses. This land is so beautiful and strange that now some of you want to make it into a national park. You have not only contaminated the earth, the rocks, the minerals, all of which you call “dead” but which are very much alive; you have even changed the animals, which are part of us, changed them into vulgar zoological mutations, so no one can recognize them. 4 There is power in an antelope, so you let it graze within your fences. But what power do you see in a goat or sheep, prey animals with no defenses, creatures that hold still while you slaughter them? There was great power in a wolf, even in a fox. You have inverted nature and turned these noble animals into miniature lap dogs. Nature is bound by your ropes and whips and is obedient to your commands. You can’t do much with a cat, so you fix it, alter it, declaw it, and even cut its vocal cords so that you can experiment on it in a laboratory without being disturbed by its cries. 5 You have also made all types of wild birds into chickens – creatures with wings so impaired that they cannot fly. There are farms where you breed chickens for breast meat. Those birds are kept in low, repressive cages, forced to be hunched over all the time, which makes the breast muscles very big. One loud noise and the chickens go mad, killing themselves by flying against the walls of their cages. Having to spend all their lives stooped over makes an unnatural, crazy, no-good bird. It also makes unnatural, detached, no-good human beings. 6 That’s where you’ve fooled yourselves. You have not only altered, declawed, and deformed your winged and four-legged cousins; you have done it concurrently to yourselves. You inject Botox, or use plastic surgery, synthetic make-up and countless drugs. You have filtered and remolded humans into executives sitting in boardrooms, into office workers, into time-clock punchers. Your homes are filled with families disconnected from one another but tied to one great entity, television. 7 “Watch the ashes, don’t smoke, you’ll stain the curtains. Watch the goldfish bowl. Don’t lean your head against the wallpaper; your hair may be greasy. Don’t spill liquor on that table: You’ll peel off its delicate finish. You should have wiped your boots; the floor was just cleaned. Don’t, don’t, don’t ...” That is absurd! We weren’t made to endure this type of repression. You live in prisons which you have built for yourselves, calling them “homes”, offices, factories. 8 Sometimes I think that even our pitiful small houses are better than your luxury mansions. Strolling a hundred feet to the outhouse on a clear wintry night, through mud or snow, that’s one small link with nature. Or in the summer, in the back country, taking your time, listening to the humming of the insects or the flapping of birds’ wings, the sun warming your bones through the nodding branches of trees; you don’t even have that pleasure of coexistence with nature anymore. 9 You subscribe to the belief that everything must be germ free. No smells! Not even the good, natural man and woman odors. Eradicate the smell from under your armpits, from your skin. Rub it out, and then spray some botanical odor on yourself, stuff you can spend a lot of money on, ten dollars an ounce, so you know this has to smell good. Why do you keep such a distance from your bodies’ functions, cavities and smells that you’ve alienated yourselves from the natural world, of which you are an integral part? 10 I think you are so afraid and intolerant of the world around you. You deplore the natural world; you don’t want to see, feel, smell, or hear it. The feelings of rain and snow on your face, being numbed by an icy wind and warmed back up by a smoking fire, coming out of a hot sweat bath and plunging into a cold stream, these things are the spice of life, but you don’t want them anymore. 11 You’re cage dwellers, living in boxes which shut out the hot humidity of the summer and the chill of winter, living inside a body that no longer has a scent. You’re hearing the noise from the hi-fi instead of listening to the sounds of nature. You’re watching actors on TV having a make-believe experience when you no longer experience anything for yourself. That’s your way. It’s no good.
What nature is telling you? 1 Let’s sit down here, all of us, on the open prairie, where we can’t see a highway or a fence, free from the debris of the city. Let’s have no blankets to sit on, but let our bodies converge with the earth, the surrounding trees and shrubs. Let’s have the vegetation for a mattress, experiencing its texture, its sharpness and its softness. Let us become like stones, plants, and trees. Let us be animals, think and feel like animals. 2 This is my plea: Listen to the air. You can hear it, feel it, smell it, taste it. We feel it between us, as a presence presiding over the day. It is a good way to start thinking about nature and talking about it. To go further, we must rather talk to it, talk to the rivers, to the lakes, to the winds as to our relatives. 3 You have impaired our ability to experience nature in the good way, as part of it. Even here we are conscious that somewhere beyond the marsh and its cranes, somewhere out in those hills there are radar towers and highway overpasses. This land is so beautiful and strange that now some of you want to make it into a national park. You have not only contaminated the earth, the rocks, the minerals, all of which you call “dead” but which are very much alive; you have even changed the animals, which are part of us, changed them into vulgar zoological mutations, so no one can recognize them. 4 There is power in an antelope, so you let it graze within your fences. But what power do you see in a goat or sheep, prey animals with no defenses, creatures that hold still while you slaughter them? There was great power in a wolf, even in a fox. You have inverted nature and turned these noble animals into miniature lap dogs. Nature is bound by your ropes and whips and is obedient to your commands. You can’t do much with a cat, so you fix it, alter it, declaw it, and even cut its vocal cords so that you can experiment on it in a laboratory without being disturbed by its cries. 5 You have also made all types of wild birds into chickens – creatures with wings so impaired that they cannot fly. There are farms where you breed chickens for breast meat. Those birds are kept in low, repressive cages, forced to be hunched over all the time, which makes the breast muscles very big. One loud noise and the chickens go mad, killing themselves by flying against the walls of their cages. Having to spend all their lives stooped over makes an unnatural, crazy, no-good bird. It also makes unnatural, detached, no-good human beings. 6 That’s where you’ve fooled yourselves. You have not only altered, declawed, and deformed your winged and four-legged cousins; you have done it concurrently to yourselves. You inject Botox, or use plastic surgery, synthetic make-up and countless drugs. You have filtered and remolded humans into executives sitting in boardrooms, into office workers, into time-clock punchers. Your homes are filled with families disconnected from one another but tied to one great entity, television. 7 “Watch the ashes, don’t smoke, you’ll stain the curtains. Watch the goldfish bowl. Don’t lean your head against the wallpaper; your hair may be greasy. Don’t spill liquor on that table: You’ll peel off its delicate finish. You should have wiped your boots; the floor was just cleaned. Don’t, don’t, don’t ...” That is absurd! We weren’t made to endure this type of repression. You live in prisons which you have built for yourselves, calling them “homes”, offices, factories. 8 Sometimes I think that even our pitiful small houses are better than your luxury mansions. Strolling a hundred feet to the outhouse on a clear wintry night, through mud or snow, that’s one small link with nature. Or in the summer, in the back country, taking your time, listening to the humming of the insects or the flapping of birds’ wings, the sun warming your bones through the nodding branches of trees; you don’t even have that pleasure of coexistence with nature anymore. 9 You subscribe to the belief that everything must be germ free. No smells! Not even the good, natural man and woman odors. Eradicate the smell from under your armpits, from your skin. Rub it out, and then spray some botanical odor on yourself, stuff you can spend a lot of money on, ten dollars an ounce, so you know this has to smell good. Why do you keep such a distance from your bodies’ functions, cavities and smells that you’ve alienated yourselves from the natural world, of which you are an integral part? 10 I think you are so afraid and intolerant of the world around you. You deplore the natural world; you don’t want to see, feel, smell, or hear it. The feelings of rain and snow on your face, being numbed by an icy wind and warmed back up by a smoking fire, coming out of a hot sweat bath and plunging into a cold stream, these things are the spice of life, but you don’t want them anymore. 11 You’re cage dwellers, living in boxes which shut out the hot humidity of the summer and the chill of winter, living inside a body that no longer has a scent. You’re hearing the noise from the hi-fi instead of listening to the sounds of nature. You’re watching actors on TV having a make-believe experience when you no longer experience anything for yourself. That’s your way. It’s no good.